Recomendations
Creating music is not easy, much less when it comes to film music, because it must accentuate the emotions that the director wants to convey in the screen. In my particular case, it was not easy to find the right composer who understood the idea and contributed his knowledge to make our film with a better narrative, Andrés, with his knowledge, experience and creativity achieved the goal we set for ourselves and the final result was better than expected, the film has been well received at more than 10 film festivals in those we have been and all the reviews have been positive, for that reason I thank to the heaven for his talent and selfless dedication.
Arturo Loaiza, Director
Limbo tells three stories of a harsh reality that aims to raise its voice so this won´t be forgotten, the musical work supports significantly, providing the touch of mystery and drama that surrounds the miniseries, trying to influence the soundscape that involves the viewer in a suspense from the beginning to the end. Limbo is set in two spaces, a place that is not specified whether it exists or not, complex but a sound challenge that was taken on a good path, and a musical universe that takes mystery to a place of sound taste.
John Romero, Producer
"My experience with Andrés during the creation of the soundtrack for UN CORAZON PARA EL LEÑADOR has been enriching as well as learning. Seeing and understanding through the language of music the infinite possibilities that Andrés offers as a range of ideas translated into Sounds it really manages to build and reinforce each sequence of my project. Thank you Andrés for such spectacular work, for the creativity, and that magic that you have brought to the project. " .
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Andrés Arévalo, Director - Producer
"It has been a great opportunity to work with Andrés. The piece he created for our short film is very beautiful. We´re insterested in continuing to work with him in the future".
Doris Martínez, Producer
"The work with Andrés was very arduous due the time required to complete it; but on the other hand, it was also very gratifying, because he not only composed and directed the music, but chatting from director to composer, he knew to understand color, tempo and everything that has required to complete the audiovisual work and that it was not written but underlay the story.
Mauricio Clavijo, Director